Cartoon a Day: The Three Little Pups
The Three Little Pups
1953
Directed by Tex Avery
Available on: Tex Avery's Droopy - The Complete Theatrical Collection
It's about time we had some Droopy action on this blog. "The Three Little Pups" is Tex Avery's take on the the three little pigs. We have a house of straw, a house of sticks, and a house of bricks, only this time around they're dog houses. And, of course, there is a wolf who also happens to be the city dog catcher.
Droopy is often up against a wolf in his cartoons, but I think this is my favorite version. This is not the hormones raging wolf we see in other Avery shorts. This one is a laid back, slow moving, whistling Dixie fellow. A large part of what makes this wolf so funny is the brilliant voice work by Daws Butler. Butler was the voice of many classic characters, but this may be one of his finest moments. Perhaps why this wolf works so well is because it is the complete opposite of the wolf from earlier Tex Avery shorts.
Being that this is a Tex Avery film you can expect many crazy moments. Being a puppeteer, I am especially fond of the sequence in which a hand puppet cat drags the wolf around the yard. Another great moment is where the wolf accidentally swallows a TV set. When the set shows up in the next sequence, Droopy stares at the camera and says "Now don't ask us how we got the television set back."
And I can't neglect the sequence in which the wolf has to change his pants several times due to a dog attack and a guided missile. It's a great example of Avery being able to stretch a gag for a few extra laughs.
This cartoon was in the regular rotation on the Tom and Jerry TV program that played every afternoon on channel 32 in Chicago when I was a kid. Whenever this one came on, everyone rushed in to see it.


"Orphan's Benefit" is a Mickey short, but the real stars are all his buddies. The gang is putting on a show for a bunch of rather nasty orphans, all of whom look like Mickey. The sequences where
I think "Orphan's Benefit" also serves as a great example of just how beautiful black and white animated films can be. The background shadows cast by the spotlight during the Clara Cluck sequence give the scene great depth. In black and white the contrast is striking.
Disney was always striving to push his films further. He truly worked to explore the art form. "Orphan's Benefit" was another giant step forward for the Disney Studio.


It's a shame that there weren't more Superman shorts made (only 17 total). For that matter, it's a shame more animated action shorts weren't made. I love the comedies, don't get me wrong, but everybody needs a little excitement in their lives.


Right off the bat, one of the stand out elements of "Ali Baba Bunny" are the incredible backgrounds by
Of course, some of the classic sort of character expressions you'd expect to see in a late 50's Chuck Jones film are on display here. Over the years Bugs Bunny has come across in many different ways, I think the style of Bugs presented in this film is my favorite. He appears somewhat suave in this and other Jones films. I love how his eyes never seem to open too widely. It's quite a contrast to the way Daffy is portrayed.
The character design of Hassam is also a lot of fun. He's a sort of gelatinous blob on two skinny legs. I also love how his body and his head are all one piece...there's absolutely no neck to speak of.
The newsreel segment features a story about the new technology of radar being used in the home. It ends up being used to detect an approaching mother-in-law, which brings to mind the mother-in-law jokes often used by
The feature film parodies "






